Sudbury Indie Cinema is a not-for-profit co-op. Since 2015, we have been bringing the best in independent cinema to Northern Ontario on a year-round basis. We are mission-driven, rather than profit-driven. We select high-caliber, laudable films that give voice to lesser-heard perspectives on the big screen. We actively support other arts organizations, grassroots not-for-profits and local homegrown filmmakers. Originally, back in summer 2013, we formed as a community response to the growing monopoly of Hollywood blockbusters on a shrinking number of large screens. We have since repurposed part of a closed school into a single screen, state-of-the-art, 180-seat digital cinema. We opened at 162 Mackenzie Feb. 28th, 2019. Access us from the side door at the north side of the building: free parking in the laneway.
We have a growing membership of 1000 Charter members who are cinephiles, appreciate independent cinema, support the co-operative movement, and cherish the growing arts and culture hub downtown.
Our screenings take place at 162 Mackenzie St. (unless otherwise noted.)
Pain and Glory tells of a series of reencounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema, and the void, the infinite void that creates the incapacity to keep on making films. Pain and Glory talks about creation, about the difficulty of separating it from one’s own life and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.
Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street smarts but not much else. Be it chance or fate, these two houses are brought together and the Kims sense a golden opportunity. Masterminded by college-aged Ki-woo, the Kim children expediently install themselves as tutor and art therapist, to the Parks. Soon, a symbiotic relationship forms between the two families. The Kims provide “indispensable” luxury services while the Parks obliviously bankroll their entire household. When a parasitic interloper threatens the Kims’ newfound comfort, a savage, underhanded battle for dominance breaks out, threatening to destroy the fragile ecosystem between the Kims and the Parks. By turns darkly hilarious and heart-wrenching, PARASITE showcases a modern master at the top of his game.
From Robert Eggers, the visionary filmmaker behind modern horror masterpiece The Witch, comes this hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s. Featuring an experienced old guy (Willem Dafoe) and a young lumberjack turned lighthouse keeper (Robert Pattinson). Their desires, fears, the suggestive environment and the loneliness play tricks on their minds determining their relationship in a rather cathartic way.
A lonely woman (played by Marianne Jean-Baptiste: SECRETS AND LIES), recently separated from her husband, visits a bewitching London department store in search of a dress that will transform her life. She’s fitted with a perfectly flattering, artery-red gown—which, in time, will come to unleash a malevolent curse and unstoppable evil, threatening everyone who comes into its path. From acclaimed horror director Peter Strickland (the singular auteur behind The Duke of Burgundy and Berberian Sound Studio) comes a truly nightmarish film, at turns frightening, seductive, and darkly humorous. In Fabric is Strickland’s most twisted and brilliantly original vision yet.
Little Joe follows Alice (Emily Beecham), a single mother and dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it ‘Little Joe.’ But as their plant grows, so too does Alice’s suspicion that her new creation may not be as harmless as its nickname suggests.
In this funny, uplifting tale based on an actual lie, Chinese-born, U.S.-raised Billi (Awkwafina) reluctantly returns to Changchun to find that, although the whole family knows their beloved matriarch, Nai-Nai, has been given mere weeks to live, everyone has decided not to tell Nai Nai herself. To assure her happiness, they gather under the joyful guise of an expedited wedding, uniting family members scattered among new homes abroad. As Billi navigates a minefield of family expectations and proprieties, she finds there’s a lot to celebrate: a chance to rediscover the country she left as a child, her grandmother’s wondrous spirit, and the ties that keep on binding even when so much goes unspoken. With The Farewell, writer/director Lulu Wang has created a heartfelt celebration of both the way we perform family and the way we live it, masterfully interweaving a gently humorous depiction of the good lie in action with a richly moving story of how family can unite and strengthen us, often in spite of ourselves.
Stéphane, tout juste arrivé de Cherbourg, intègre la Brigade Anti-Criminalité de Montfermeil, dans le 93. Il va faire la rencontre de ses nouveaux coéquipiers, Chris et Gwada, deux “Bacqueux” d’expérience. Il découvre rapidement les tensions entre les différents groupes du quartier. Alors qu’ils se trouvent débordés lors d’une interpellation, un drone filme leurs moindres faits et gestes...
Stéphane has recently joined the Anti-Crime Brigade in Montfermeil, in the Paris suburbs. Alongside his new colleagues Chris and Gwada - both experienced members of the team - he quickly discovers tensions running high between neighbourhood gangs. When they find themselves overrun during the course of an arrest, a drone captures their every movement, their every action... Inspired by the 2005 riots, director Ladj Ly explores contemporary Montfermeil, the same place where Victor Hugo chose to set “Les Misérables” in 1862. More than 150 years later, the similarities between today’s angry, hoodie-wearing youth and Gavroche are only too clear.
Charlie, Tom et Boychuck vivent reclus dans le bois, loin des tribulations de la ville. Leur quotidien sera bouleversé par la mort du doyen et l’arrivée d’une vieille femme lumineuse, ayant été injustement interné toute sa vie. Une photographe à la recherche de témoins des grands feux ayant fait rage dans la région à une certaine époque, débarque également chez eux. Elle viendra bouleverser leur vie paisible en découvrant de magnifiques tableaux illustrant justement ces fameux incendies meurtriers. Leurs destins s’entrelaceront dans une ode poétique au temps et à l’amour.
Tracy Edwards proved them wrong. 26-year-old skipper Edwards, her second-hand racing yacht Maiden, and her seasoned crew not only became the first-ever all-woman challenge to the Whitbread, they proved able competitors in the famously grueling race, besting male crews in their class. By the time they returned to their starting point at Southampton, England after 32,000 miles of global racing, they had shocked, inspired, and transfixed the sailing world and the British nation. Tracy Edwards was awarded the 1990 Yachtsman of the Year Award, the first woman ever to receive the accolade, and was named a Member of the Order of the British Empire.
42 9th graders are sent to a deserted island. They are given a map, food, and various weapons. An explosive collar is fitted around their neck. If they break a rule, the collar explodes. Their mission: kill each other and be the last one standing. The last survivor is allowed to leave the island. If there is more than one survivor, the collars explode and kill them all.
A "behind the scenes" look into the highly competitive and cut-throat world of dog-shows through the eyes of a group of ruthless dog owners including: yuppies Hamilton and Meg Swan and their neurotic weimeraner "Beatrice"; mild-mannered menswear salesman Gerry and Cookie Fleck, whose Norwich terrier's registered name is "Champion Thank You Neil Sedaka"; fly-fishing shop owner Harlan Pepper and his beloved bloodhound "Hubert"; New Yorker Scott Donlon and his longtime hairdresser partner, Stefan Vanderhoof, who anticipate the crown for their pampered shih tzus "Miss Agnes" and "Tyrone"; and the champion poodle "Rhapsody in White" who might just snare the title for the third year running.
Imaginatively evoking the inner landscape of human beings longing to connect, to love and feel loved, the film is a parable of happiness gloriously found and tragically lost. "Requiem for a Dream" tells parallel stories that are linked by the relationship between the lonely, widowed Sara Goldfarb and her sweet but aimless son, Harry. The plump Sara, galvanized by the prospect of appearing on a TV game show, has started on a dangerous diet regimen to beautify herself for a national audience.