STUFF is for cinephiles, yes – and supporters of Northerners being the key creatives in independent film.
Like our friends at UP HERE FEST like to say: “Keep it weird, Sudbury…” STUFF will incline towards films which don’t follow a traditional structure, or films which are subversive, wild and weird.
We showcase low and no-budget artist-driven film projects from Northerners (all genres considered), as well as experimental, animation, avant-garde from the best.
Sudbury's Tiny Underground Film Festival proudly accepts entries on FilmFreeway, the world's #1 way to enter film festivals and creative contests. Submissions of short films for STUFF 2024 are open on FilmFreeway to September 11.
Features TBA Shortly!!!!
Purchase your Early Bird All-Access passes now for only $35
Sit back and take in the weird world of experimental film. Current and diverse works, selected from submissions from around the world.
Rough Cuts is a first of its kind at our festival. A full program dedicated to works in progress from Sudbury's emerging filmmakers. We want to provide a space for artists still sorting the kinks in their projects out. There is a noticeable gap in the filmmaking opportunities throughout the city and region, the goal of this program is to help our emerging filmmakers build up their skill set as well as form a community to bridge the gap.
Works submitted will be reviewed by Festival staff and if selected reviewed by a panel of local industry experts. The short film will then be featured in the program and shown Saturday October 5. After the program a moderated panel featuring the experts will occur and filmmakers will get the chance along with others to ask for feedback as well as general advice.
David Lynch’s 1977 debut feature, Eraserhead, is both a lasting cult sensation and a work of extraordinary craft and beauty. With its mesmerizing black-and-white photography by Frederick Elmes and Herbert Cardwell, evocative sound design, and unforgettably enigmatic performance by Jack Nance, this visionary nocturnal odyssey continues to haunt American cinema like no other film.
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
Traveling through the abyss, underworld dog Rainer recounts the six lives of Conann, perpetually put to death by her own future, across eras, myths and ages. From her childhood, a slave of Sanja and her barbarian horde, to her accession to the summits of cruelty at the doors of our world.
... what I believe to be the height of barbarism; old age killing its own youth.