Emilia Pérez

• Opens November 15

From renegade auteur Jacques Audiard comes Emilia Pérez, an audacious fever dream that defies genres and expectations. Through liberating song and dance and bold visuals, this odyssey follows the journey of four remarkable women in Mexico, each pursuing their own happiness. The fearsome cartel leader Emilia (Karla Sofía Gascón) enlists Rita (Zoe Saldaña), an unappreciated lawyer stuck in a dead-end job, to help fake her death so that Emilia can finally live authentically as her true self.

All We Imagine as Light

• Opens November 22

The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prize at this year’s Cannes Film Festival for her revelatory fiction feature debut. Centering on two roommates who also work together in a city hospital--head nurse Prabha (Kani Kusruti) and recent hire Anu (Divya Prabha)--plus their coworker, cook Parvaty (Chhaya Kadam), Kapadia’s film alights on moments of connection and heartache, hope and disappointment. Prabha, her husband from an arranged marriage living in faraway Germany, is courted by a doctor at her hospital; Anu carries on a romance with a Muslim man, which she must keep a secret from her strict Hindu family; Parvaty finds herself dealing with a sudden eviction from her apartment. Kapadia captures the bustle of the metropolis and the open-air tranquility of a seaside village with equal radiance, articulated by her superb actresses and by the camera with a lyrical naturalism that occasionally drifts into dreamlike incandescence. All We Imagine as Light is a soulful study of the transformative power of friendship and sisterhood, in all its complexities and richness.

Anora

• Opens December 6

Sean Baker's Palme d'Or winner ANORA is an audacious, thrilling, and comedic variation on a modern day Cinderella story. Mikey Madison (Once Upon A Time In Hollywood) captivates as Ani, a young sex worker from Brooklyn whose life takes an unexpected turn when she meets and impulsively marries Vanya, the impetuous son of a Russian billionaire. However, when Vanya's parents catch wind of the union, they send their henchmen to annul the marriage, setting off a wild chase through the streets of New York.

The Apprentice

• Opens December 12

A young Donald Trump (Sebastian Stan), eager to make his name as a hungry second son of a wealthy family in 1970s New York, comes under the spell of Roy Cohn (Jeremy Strong), the cutthroat attorney who would help create the Donald Trump we know today. Cohn sees in Trump the perfect protégé — someone with raw ambition, a hunger for success, and a willingness to do whatever it takes to win.

Oh, Canada

• Opens December 13

In Paul Schrader’s latest, ailing filmmaker Leonard Fife (Richard Gere) who is fiery but feeling his years and his illness, wants to tell his life story, unfiltered, before it's too late. As the director of lauded documentary exposés, he has much to be proud of, but his avoidance of the Vietnam War draft and his past relationships harbor thorny truths. Finally choosing to reveal the truth and lies in his life and career, Leonard sits for an extended filmed interview with his former student Malcolm (Michael Imperioli), charging ahead with candid stories about his younger self (Jacob Elordi) in the fractious 1960s and beyond. At Leonard's insistence, his wife and indispensable partner, Emma (Uma Thurman), hears it all. Leonard's successes are held up against his failings--the fibs held up against the facts--and as the man in full is cleansed of the myth, Leonard must confront what is left.

Memoir of a Snail

• Opens December 19

From the Academy Award winning director of MARY AND MAX, this dark stop-motion tale is currently whirring in Oscar buzz. In 1970s Australia, Grace's life is troubled by misfortune and loss. After their mother dies during pregnancy, she and her twin brother, Gilbert, are raised by their paraplegic-alcoholic former juggler father, Percy. Despite a life filled with love, tragedy strikes anew when Percy passes away in his sleep. The siblings are forcibly separated and thrust into separate homes. Gilbert finds himself in the care of a cruel evangelical family, while Grace, grappling with intense loneliness, gradually withdraws into her shell, much like the snails she adopts. As the years pass, and despite new disappointments and sorrows, a glimmer of hope emerges when she strikes up an enduring friendship with an elderly eccentric woman called Pinky.

Flow

• Opens December 20

A wondrous journey, through realms natural and mystical, Flow follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird, and a dog to navigate a boat in search of dry land, they must rely on trust, courage, and wits to survive the perils of a newly aquatic planet. From the boundless imagination of the award-winning Gints Zilbalodis (Away) comes a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, Flow is a feast for the senses and a treasure for the heart.

Vermiglio

• Opens January 9

The lush and breathtaking beauty of the Alps, filmed with painterly grace under natural light from frigid winter to redemptive spring, provides the physical and emotional backdrop for Vermiglio, Maura Delpero’s visionary film, which won the Silver Lion at the 2024 Venice Film Festival. This singular portrait of a sprawling family, set in the small, mountainous village of Vermiglio during the waning days of WWII, follows a series of dramatic, consequential events after the arrival of a taciturn Sicilian soldier (Giuseppe De Domenico), who hides out in town after deserting the army. While there, the soldier develops a romance with the family’s eldest daughter, Lucia (Martina Scrinzi). Vermiglio shows the lives of a provincial family in a remote village suspended in time by the customs of a fading era. Conjuring stories from her own family’s past, Delpero creates a deeply personal and human tale that recalls the great neorealist movement in Italian cinema, but through Lucia’s perspective ‘Vermiglio’ feels distinct and novel.

Porcelain War

• Opens January 15

Amidst the chaos and destruction of the brutal Russian invasion of Ukraine, three artists defiantly find inspiration and beauty as they defend their culture and their country. In a war waged by professional soldiers against ordinary civilians, Slava Leontyev, Anya Stasenko and Andrey Stefanov choose to stay behind, armed with their art, their cameras and, for the first time in their lives, their guns. Despite daily shelling, Anya finds resistance and purpose in her art, Andrey takes the dangerous journey to get his young family to safety abroad, and Slava becomes a weapons instructor for ordinary people who have become unlikely soldiers. As the war intensifies, Andrey picks up his camera to film their story, and on tiny porcelain figurines, Anya and Slava capture their idyllic past, uncertain present and hope for the future. Co-directed by Leontyev and Brendan Bellomo, with extraordinary footage from first-time cinematographer Stefanov, Porcelain War embodies the passion and fight that only an artist can put back into the world when it’s crumbling around them.

The Room Next Door

• Opens January 17

Ingrid (Julianne Moore) and Martha (Tilda Swinton) were close friends in their youth, when they worked together at the same magazine. Ingrid went on to become an autofiction novelist while Martha became a war reporter, and they were separated by the circumstances of life. After years of being out of touch, they meet again in an extreme but strangely sweet situation.

The Count of Monte Cristo

• Opens January 17

En 1815, lors d’un voyage en mer, Edmond Dantès sauve une jeune femme de la noyade. Cet acte de bravoure lui permet de devenir le nouveau capitaine du navire. Cette promotion tombe à point pour Edmond, qui compte se marier avec Mercédès. Le jour de ses noces, il est arrêté pour un crime qu’il n’a pas commis. Enfermé au château d’If, il ruminera sa vengeance pendant quatorze années, alimenté par le plan d’évasion d’un vieil homme qui lui a également parlé d’un mystérieux trésor. Une fois à l’extérieur de son cachot, Edmond se terre sous l’identité du Comte de Monte-Cristo et il est prêt à se faire justice.

*****

Edmond Dantes becomes the target of a sinister plot and is arrested on his wedding day for a crime he did not commit. After 14 years in the island prison of Château d’If, he manages a daring escape. Now rich beyond his dreams, he assumes the identity of the Count of Monte-Cristo and exacts his revenge on the three men who betrayed him.

The Substance

• Opens January 23

Elisabeth Sparkle, renowned for an aerobics show, faces a devastating blow on her 50th birthday as her boss fires her. Amid her distress, a laboratory offers her a substance which promises to transform her into an enhanced version of herself. It follows a fading celebrity, Elisabeth Sparkle (Demi Moore) who, after being fired by her producer (Dennis Quaid) due to her age, uses a black market drug that creates a much younger version of herself (Margaret Qualley) with unexpected side effects.

Queer

• Opens January 24

1950. William Lee (Daniel Craig), an American expat in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His encounter with Eugene Allerton (Drew Starkey), an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.