Films & Events

Join The Foodshed Project for their 2nd Annual Film Screening & Fundraising Event. The Foodshed Project, a Sudbury-based non-profit, is excited to announce a screening of Gather, an award-winning documentary and an intimate portrait of the growing movement amongst Indigenous Peoples to reclaim spiritual, political and cultural identities through food sovereignty. The film follows the work of Indigenous chefs, young food scientists, and environmental stewards from several nations on Turtle Island (North America.) It offers a powerful and hopeful look at community- led food initiatives - an inspiring complement to the work we strive to support locally.Inspired by Gather, proceeds from this screening will strengthen food sovereignty initiativesthat Foodshed will support in 2026 — Indigenous-led community food initiatives, grassrootscommunity gardening programs that connect people to land, culture, and food, and nationalfarmer & environmental networks.

Two conspiracy obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.

Three stories concerning the relationships between adult children, their somewhat distant parent (or parents), and each other: a reclusive father visited by his grown children in the US, sisters visiting their novelist mother in Dublin, and adult twins called back to their Paris apartment to address a family tragedy.

Vahid, an Azerbaijani auto mechanic, was once imprisoned by Iranian authorities. During his sentence, he was interrogated blindfolded. One day, a man named Eqbal enters his workshop. His prosthetic leg creaks, and Vahid thinks he recognizes one of his former torturers.

The true story of Vera Brandes, teenage patron saint of the 1970s Cologne music scene, who risked everything to organize the greatest solo concert in music history: Keith Jarrett’s legendary Köln Concert.

Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away. PART OF THE WE'RE MAD AS HELL RETROSPECTIVE

In a future where humanity has surrendered its ability to dream in exchange for immortality, an outcast finds illusion, nightmarish visions, and beauty in an intoxicating world of his own making.

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star.